WWI: A Century’s Past / Veterans Day

World War I was hideously expensive and wasteful in terms of talent. A generation of young people, of talent, of possibility–gone. The hope and potential of growing their lives and cultures mowed down, gassed, and slaughtered. And that lost of hope and potential kept the survivors from the social buoying that youth inevitably bring to the world. From its misery the clock to WW II was wound. My parents were born less than five years after this war, and lived to suffer through it’s implacable, inevitable, tsunami. The senselessness was compounded by the misery of the civilian survivors. And the tens of millions who died in The Great Influenza, a confluence of virus and circumstance putting so many young people, the virus’ prime target, in small, enclosed, and inescapable places.

Vietnam Vet in PTSD therapyVietnam Vets in the media were portrayed as unhinged, crazed people whose demons nipped their heels from acts one through three. And given that depressed and anxious people were told to “get over it,” or “cheer up,” or “leave that in the past,” I can’t say I blame them for being crazed (which they were and are not). PTSD’s stamp on the soul is so deep that epigenetics show it transmits to future generations. Generations of Holocaust survivors. Generations of Palestinians. Generations of African-Americans. Generations of people traumatized by the very government they look to for protection from want, from fear. From living (ahem) in pursuit of life and liberty and happiness. We’ve not learned this lesson in today’s America. We’ve backslid decades in years. If we ever really had that progress.

In my military service I learned many things. One of the big ones was: be nice to the support folks. Your food, your uniform, your mail, your weapon… your life… is in their hands. Eating manot krav (the Israeli equivalent of “C” rations) in a reeking uniform, trying to fix a damn machine gun some armorer hammered together the wrong way at T-20 before a live fire night exercise sucks. So everyone helps. In the moment you need the social worker so you can cry on her shoulder, she’s the most important person keeping you combat-ready.

Writing about ex-military is writing about people. Good ones, bad ones. Good ones in dark places, bad ones in a place they can find, for lack of a better term, grace. And while the military makes distinctions between combat soldier and not, the experiences, traumas, and acts of truck drivers, cooks, and anyone who wears the uniform as a target, must be acknowledged for their level of service and sacrifice. To write the soldier today is to dig into not just their history, their POV. It’s to understand how they process their military experience that’s never a Hurt Locker, and never a Wag the Dog (although…). M*A*S*H had it best: scared, frightened, and determined people with no more control over their lives than the combat soldiers they treated. But in it together, helping one another, in service of their comrades in arms and country. When writing, keeping the characters nuanced, conflicted, and real trumps the simplistic portrayal of veterans in our media.

So today, whether you moved paperwork in a Mississippi Air Station or did five tours in Afghanistan and Iraq, I salute you. Your sacrifice in blood and treasure, or “merely” losing four years of youth being told what to do so someone, somewhere, had the clothing, toothpaste, AvGas, or ammunition to do their, more dangerous, job.

Hopes, Dashed

Novella "Stardance" coverI’m already several thousand words into my latest, but had to stop for some research. More research. Interviewing dancers research. (Okay, my daughter, but still…) And then I remembered Jeanne and Spider Robinson’s book “Stardance.” Well, I actually remember the original novella. It was a bit odd delving that far back into SF writings. Winced at casual misogyny in cover, in character descriptions. (The blog featured image is the cover of the original novella and it’s the least “Astounding Gran Tetons” cover of all the editions.)

And I’m gonna have to retool this baby from scratch. Zero-gee and low-grav dancing is possible—read said novella, which left me a little wetter-eyed than I expected at the story’s hook. But I’ve a new appreciation for the challenges that mooners—first generation moon-born people—will face.

We earthborn can scamper across the surface, glibly bouncing around in 1/6th earth gravity. And we have the musculature and bone density and tensile strength to torque and shove masses we’d never be able to heft on terra firma. But for people on the moon for five years, or ten, it’d be a different story. It’s a better tale than the same time in zero-gee, but the body does adapt to the “new norm.” And the Robinsons had astute visions of long-term zero-gee.

By my research the moonborn would have thinner bones, much thinner muscles. These aren’t zero-gee-adapted quaddies as described in Lois McMaster Bujold’s Falling Free. These are frail beings without the force necessary to create torque with their hands, their bodies.

Dancing would be interesting for the muscled earthers, as they’d have to learn how to tread more lightly, spin more softly. But yet another lethal barrier for those born under 1G in a 1G world.

Leonard Cohen: Yahrzeit

Photo courtesy University of Toronto. Click to see full article.

Leonard Cohen’s music and lyrics have been my life’s soundtrack. Not the theme, just as background, mind you. I sang it out loud in an empty room while waiting in hospital after one of my father’s aneurysms. It was playing on loop in my head after he died, sitting shiva in New York City.
 
And it was a friend, a mentor even, as I wrote the first two novels (so far) of a series starring a religious homicide detective. “Who by fire,” indeed.

Motivations

I’m juggling too many books that aren’t finished. “Last Run” needs a 40% diet, and I’ve been plowing away at edits. “Zepps” has a hit list of dozens of changes (see my previous post: Knotted!) I’m wandering around, like a Shakespearean actor in a Dr. Seuss play, shouting “what’s my motivation” in the various voice of my characters.

Oh, and I’m sending, via agent mine, the first salvo of agent queries to editors. So I’m writing up tip sheets in additional to customized queries, to make life faster for her.

That’s not to say I’m done with the final flourishes on the novel I’m pitching (“A Day at the Zoo.”) Aside from my awesome writers group, Chris Brown (author of Kansastan and ArmadilloCon #40 had a few suggestions.

A Progress Tool

Recently I posted a graphic showing words per day. (I’ve used it before: you can see posts here and here.) It’s part of my musings about writing velocity and general “feeling like an author.” I’ll tee up a few posts on that in the future, but for now I wanted to provide a Google Sheet, called Writing Progress, open for anyone can copy, then modify on their own account as they see fit. Once you’ve got it you can try exporting it to Excel (see pix at end of post.) The Microsoft version needed tweaking, especially on the timeline sheet, with might not be worth fixing vs. recreating, provided you have basic pivot table skills.

The goal for the sheet is twofold. First, to share something folks have asked about, because that’s what some authors do.

Second, it does for free, and with little grief, that thing that I paid Aeon Timeline $ome $illy $um of $50 to have and then to puzzle over. It integrates with Scrivener, which I (very reluctantly, see here, here, and here) use, but has been too much trouble to set up and keep linked. And if you don’t use Scrivener, I don’t see much reason in buying Aeon.

So head out to the Writing Progress sheet and see it for yourself. (No login required to check it out, but I’m guessing you need Google Drive to copy it.)

Screen Shots of Writing Progress Sheets

Novel Progress page

Timeline Entry Page

Screen shot of Excel Export

Progress page as an excel export

Being Able {mumble} to {mumble} {mumble} and et cetera

Grumping from home today, ill after some travel. I’d applied for a healthcare.gov health insurance policy after the end of my last consulting gig. I’ve been very pleased with the coverage until now, and the cost. While insurance companies do their best to obfuscate the actual cost to an insured person, and folks conflate catastrophic with normal health care, I’ve found it to be, not reasonable, but comparable to, say, similar COBRA-offered plans. (The COBRA cost reflects the actual cost of insurance, instead of the portion that, as an employee, I would pay when employed.)
This time I applied, then was told that although I qualified they needed to see my COBRA eligibility document, along with dates. Okay, got that. Sent ’em. Then I got a voicemail (see below). Mellifluous and unperturbed, the caller might have been threatening me with defenestration, or that my HOA dues for the house I don’t have were paid in advance. No idea. Hopefully I won’t get my dog forcibly flossed because I didn’t respond to the message.

This is a trend.in phone communications. Yesterday, trying to find my phone and being told that I couldn’t log into my Sprint account unless I typed in a code sent to said missing phone, I called support. While I’m sure he thought he was speaking English, and thought he was hearing, it wasn’t at all clear to me that Eliza couldn’t make better answers to my questions. After requesting (after 30 minutes) a supervisor, he then continued, unabated and without a break for feedback, to tell me things. Probably to him important things. I hung up after he ignored my attempts to break into the monologue to say I couldn’t understand him.

As a geek lately in the gig economy I get “opportunities” passed my way. The method varies, but it’s some riff on calling me twice in a row, then sending me an email with the opportunity, then another call an hour later. When I do make the mistake of answering I am assaulted by a melange of syllables and quick breaths that approximate, I presume, English, as spouted in a room full of other call center agents all doing the same thing at full volume.

If someone’s making an attempt to be understood I’ll go through hoops and do my best to understand them. But these are the verbal equivalent of pop-up ads on my phone. They want to get to the end of their spiel and find out if I’m interested in whatever that job they pitched. Usually I have to ask them to slow down and repeat themselves. Usually to little avail.

Nota bene: I block/report as spam companies and phone numbers (usually spoofed) that do this.

Commoditization of the employment process has been happening since at least the seventies. One of my first big-money consulting gigs was getting a networked set of Z-80 computers (well before PCs) talking to one another and using a common database at a talent agency office in downtown Manhattan. That they had their own database was already a huge deal for a ten-person agency. American recruiters can’t compete with foreign boiler rooms and calling based on unintelligent keyword matching. This is a non-lethal analogy to carpet bombing versus targeted strikes. While US-based companies have the edge in terms of personal relationships with companies, the gig economy, with a high demand for cogs in machines instead of people at positions, apparently loves this cheap way of doing business.

Whew. Okay. Back to polishing the query letter, putting out feelers, getting (for the last time, damnit!) A Day at the Zoo printed up for beta readers… And making the initial blocks for the third novel in the Shmuley Myers series ready. And, on the employment front, awaiting the results of a couple of interesting positions.

On Perpetrators and Puzzlement

We’ve all seen a puzzled neighbor or family member interviewed after some horrific killing or act saying “I don’t get it; he was the nicest guy. Never a problem.”

“Yeah,” I’d snort to myself, “I’d have seen something.”

Nah.

I went to a liberal Orthodox Jewish school (an oxymoron today) back in Riverdale. Or, as everyone else called it, The Bronx.

The school was, for me, heaven. Latest (1970s era) gear, brilliant teachers, 3-day camping trips complete with art and science teacher hookups, bus tours of Washington, D.C. Some of the most amazing and brilliant people I now realize I was friends with.

I loved the place so much tht when I had my bar mitzvah I had yarmulkes made with the school’s logo. That place, and some of the amazing people in it (Mrs. Ratner, the secretary, the Doyle family, custodians and cooks extraordinaire, and a few others), kept me tethered to (relative) sanity.

Yes, yes, this story has a point. Where was I? Oh, right: heavenly idyllic place, blah blah blah. I had had a real nemesis there, a fellow student “J” whom I’d been with since kindergarten. We hated each other with the fire of a thousand suns. For good reasons on both sides.

Rabbi (later known as Cantor) Stanley Rosenfeld was the assistant principal, handling the Judaic end of things. He was determined to “make us shake hands.” And, in the end, I think he succeeded. At least, neither of us buried our hatchets in the other’s skull.

He invited “J” and I to spend Shabbat at his house (Friday evening through Saturday night). It was an apartment in South Yonkers, right near the Riverdale border. He was a member of one of the less glitz, more prayer, synagogues.

I only remember two things about that Shabbat: (1) that we hid his clothing and he chased me and “J” around the house in his underwear to get his stuff so we could go to shul for afternoon services. I think it was the first time “J” and I were partners in mischief. And, (2), when he caught me he kept twisting my wrist to get me to tell him where his clothes were. Twisted it until it broke. To my memory he was horrified and apologetic and as solicitous a vice-principal as an 8th grader might expect.

Oh, and he raped boys. The son-of-a-bitch was a serial pedophile, child rapist, assaulting his way through several Jewish schools in the Northeast until he was put away, paroled, and jailed again for breaking parole with yet another assault. And now, according to the JTA, it turns out that someone, someone I probably knew, was raped by him.

 

If someone had interviewed me about him I’d be that gormless, clueless guy, not knowing how close I was to the dragon’s fire.

Alternative Histories

Authors of Alternative History novels (and TV series) often hinge on specific events: what would happen if Hitler won? After all, the Nazis were close on more than one occasion. Or if the creation story of Jesus never coalesced? Or, in one of my works in progress, Jewish Qabala really worked, starting with descendants of Nachmanides, entirely displacing non-Judaic systems and disrupting the search for the New World.

We’re at that time. The Angry White Men have disrupted what’s been a stable, if fluidly changing, political system. This time is, globally, a schwerpunkt, a turning point, for many futures. Futures that three years ago, in the glow of a liberal view of the world, accepting refugee in numbers unmatched since World War II, accepting people for their love, not their gender or orientation, we could not have imagined.

2016 and 2017 was that slow slide to insanity, led by der Amerikanischenführer. Toward a general-run government, toward a kleptocracy. Let’s see what 2018 brings us…

 

 

On fidelity in world-building

It’s hard to create a new world, complete with languages, people, and the minutiae that separates the reality that is our planet and its history. In a recent population analysis of GoT, Lyman Stone drills into deathly detail on how impossible George RR Martin’s world is. Marshall Ryan Maresca has written scads of posts on worldbuilding (here’s just one).

As a writer and a reader, there’s a lot to be said for creating the right atmosphere, especially if there’s a book or five needed to write the whole story.

More than the analysis, than the facts, has to be the telling. Readers need to feel a location that’s real. They need to know that a staircase in the house leads to a door, and that the other side of the door aligns with the layout of the house. Knobs need to work as expected. Trolls should meet the expectation of the described milieu. Physics should be consistent throughout.

My last novel finished was “post-apocalyptic.” And walking through the science, as much as it made my storytelling better, makes, I think, for a more believable story than some Luc Besson movie. (Unless you see them as pure comedy and not sci-fi…)

From the bottom of the writing/critiquing well…

I’m watching other writers and their blog posts. Some are regular as clockwork—it’s part of their marketing campaign, their name branding, and they’ve got more time (and definitely more discipline) to keep on that track. I’ll need to do it as well—just not yet, please.

Speaking of discipline, I’ve talked with a whole bunch of writers, but more importantly people who say they “can’t write” because they don’t have the time, or can’t concentrate… Or “the usual” to writers who talk to folks on the other side.

I can easily push through 4,500 words in a day, in one sitting, when I’ve got a clear vision for what the coming scenes will bring. (And as a pantser those are visions constantly changing as the characters and situations bend the reality I’d “decreed” for the novel.)

I’ve got little sticktoitiveness when I’m not sure where the scene or characters are going. That’s when I do things like dishes, laundry, shopping—and writing posts on my blog.

That little screen grab is how I keep myself at least heading in the right direction. When I’m writing I’ve got non-spoken music (or, at least, not music with English lyrics) playing. If I’m blasting through, it’s a thirty-minute timer, with the option to just hit the reset and do another. But if I’m flagging a bit, I hit the five or ten minute timer to check the news, facebook, or a little game.

When thirty minutes seems an eternity and my characters seem embedded in tree resin, well on their way to amber, I use the ten-minute timer. Hammering hard is easy when I know there’s a break in a reasonably small number of minutes.

I also use the ten minute timer for when I need to do some online research and want to make sure I don’t get sucked down the rabbit hole of “just another link.”

That’s how I’m at 72,295 words on Angels, my current novel, and how I wrote over 173,000 words on Last Run in six months of steady, non-stressed, work. And why my blogging has been sporadic. And I’m sticking to that story.