Amid, Among, Between, Betwixt

H/t to Ashwin Mudigonda for non-commercial use

Just signed up for the 2018 Agents & Editors Conference here in Austin. Last minute. Second year going. Wasn’t going to, but after working on a single query letter for the better part of the day, I might as well see if I can’t catch an agent’s eye. Researching each participating agent and editor took a few hours, but that’ll come in handy as I stalk the Wild Agent at the conference. I’m also gonna do a toss-at-the-buzzer pitch of my larger novel, Last Run, to one or two victims agents that might have an appetite for it. Of course, that means cleaning that puppy up too, before June’s end.

This interrupted writing madly a piece to submit for the ArmadilloCon Writers’ Workshop. I think this is my last year that I’ll submit. I’ve gotten quite a lot out of it but the panel sessions were where I got the most bang for my conference buck. And hopefully I can assist next year.

All this while getting the first “Angels” book cleaned up enough to send to agents. Meeting tonight with one of my writing groups for dinner and last revisions before last cleanup. And find a title. It’d be great if I had something to call it aside from a word unrelated to the story.

Book two in the series is done, at least in first draft. And #3 is already starting to come into focus in my head, so I’m getting character journeys and the larger arc or three sketched out.

And all the above is while my fascination with a paying, full-time day job increases. Doing an application right can take an hour or two for each one.

Life. Gotta love it.

Published in EDF! And a great workshop, too!

Logo for Every Day Fiction online magazine

Every Day Fiction

I was randomly checking my Submittable site and noticed that, hey, one of my flash fiction pieces got published! Best Shot is a dystopian snapshot of future warfare in Israel. Oh, the happy places I go to when writing… Check out EDF site (click their logo on the left) and ready great short pieces every day!

On other fronts I got first feedback on a SF manuscript I’ve had kicking round in the “almost ready” state. No, it’s not. And that’s what editors are for. But it’ll be better, soon. Infection is the sequel to Induction, and there are two more books in the series.

Aside from all that I’m plowing through Angels (working title), which is part of my Upline universe. I’m shopping two short stories from that milieu right now, so let’s just say that American reproductive rights fascism might actually beat my fiction to the market.


Windsor Park Library Creative Writing Workshop is a judged competition run by Adeena Reitberger, who’s an editor of American Short Fiction, as well as an ACC English professor. We’re in month two of four twice-per-month meetings. There are some seriously talented folks there!

Many thanks to the Austin Public Library for sponsoring the workshop and providing space and time for us to meet, and to Adeena Reitburger for making it all happen.

On Span of Memory and Tools

Last week a fellow writer was discussing the trouble with editing a document that had been laid down for a while. Keeping the entire novel in one’s head, the writer said, was important when making edits with large blocks of text (e.g., changing scenes and chapters around). This was said in the context of using Microsoft Word vs. something like Scrivener, which I’m currently test-driving.

Word maintains a single document. And while one may use heading levels to delineate parts, chapters, and scenes, a large manuscript can get unwieldy. Scrivener and other scene-compartmentalized software tools make it relatively easy to shuffle around the various scenes or chapters, but if a writer wants, for example, to move parts of three scenes into two other scenes elsewhere, there’s a lot of cutting and pasting and remembering what scene is where that’s involved. Add to the text being edited ‘cold,’ it seems to me that the specialized tools would almost require quite a bit of cold reading and flipping around to scenes.

I’m still making my mind up about the Scrivener software, but I’ve got two strategies for writing large texts using word: multiple documents, and headings. I’ve written 130k+ word documents with no more than having a Heading 1 reserved for manuscript, characters, locations, objects, kipple, and research. Then chapters are at the Heading 2-level and Heading is for scenes. Having an automatically generated table of contents at the beginning makes hopping around easy. Outline mode views and automatic outlining can also help, but I don’t use the latter two.

A variant is to put each novel component into its own file (e.g., a folder with the novel, characters, research, and locations).

The important thing isn’t the tool, is comfort with it. Every new keystroke combination that requires learning is time not spent writing. And that means writers will usually be most comfortable with the general document editor (e.g., MS Word) rather than a specialty software package. My $0.02, so far.